“Sometimes to get the measure of your life you just need a break from being yourself.”
A family man struggling in his pursuit of a work/life balance embarks on yet another trip at the whims of his tyrannical bitch of a boss. But on this trip he is a world apart from his usual self. Suddenly confident, capable and unafraid of his manager, reclaiming his life becomes less about corporate advancement and satisfying his ego than outright revenge on his boss. With nothing but success in his wake and seemingly limitless potential at his disposal, being coerced to work with his nemesis in a remote corner of the world provides the opportunity for not just a confrontation, but a final solution to what he sees as the bane of his life. Succeed or fail, either way this trip will be the making of him or the end of him.
Sometimes to get the measure of your life you just need a break from being yourself… because nothing lasts forever.
by Jim Denney
“Don’t let people interfere with you. Boot ’em out, turn off the phone, hide away, get it done.”
Samuel Taylor Coleridge lived near the English village of Porlock on the Bristol Channel. He became addicted to the opiate drug laudanum after his doctor prescribed it for an illness. One evening in 1797, Coleridge took a dose of the drug while reading a book about Kubla Khan, the thirteenth century Mongol emperor. Under the drug’s influence, he experienced a vision. Line after line of epic poetry sprang into his mind.
He shook himself to full consciousness, hurried to his desk and began writing down the poem that came to him in the vision—
In Xanadu did Kubla Khan
A stately pleasure-dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea… .
By Coleridge’s own account, he had written fifty-four lines when he heard a knock at the door. Answering the door, Coleridge found “a person on business from Porlock.” Coleridge invited the unannounced visitor in and they chatted for about an hour. When the person from Porlock left, Coleridge returned to his desk—only to find that he couldn’t remember the rest of the poem. The fifty-four lines he written before the knock at his door are the only lines that remain. So Coleridge’s “Kubla Khan” remains unfinished.
I have an axe to grind, and it’s with the “literary device” onomatopoeia. I placed literary device in quotations because in my opinion, onomatopoeia is about as useful as a plug with no outlet.
I hate onomatopoeia and when I say hate, I don’t mean “kind of dislike it, but know it’s good for me” in the way some people say they hate the gym. No, I mean that most attempts at onomatopoeia manage to somehow slither down my butt-crack and give me a sudden attack of the hemorrhoids.
“What legacy will you leave?”
Kara Magari ignited a war when she stumbled into Ourea and found the Grimoire: a powerful artifact filled with secrets. To protect the one person she has left, she strikes a deal that goes against everything she believes in. But things don’t go as planned.